Haydn, F.J.: Cello Concertos Nos. 1 and 2: GENUIN - movimentos edition - Kammerakademie Potsdam, Nicolas Altstaedt & Michael Sanderling

Haydn, F.J.: Cello Concertos Nos. 1 and 2: GENUIN - movimentos edition

Kammerakademie Potsdam, Nicolas Altstaedt & Michael Sanderling

  • Genre: Classical
  • Release Date: 2009-05-01
  • Explicitness: notExplicit
  • Country: USA
  • Track Count: 6

  • ℗ 2009 Genuin
USD 9.99 On itunes

Tracks

Title Artist Time
1
Cello Concerto No. 1 In C Majo Kammerakademie Potsdam, Nicolas Altstaedt & Michael Sanderling 9:33 USD 0.99
2
Cello Concerto No. 1 In C Majo Michael Sanderling, Nicolas Altstaedt & Kammerakademie Potsdam 8:09 USD 0.99
3
Cello Concerto No. 1 In C Majo Michael Sanderling, Nicolas Altstaedt & Kammerakademie Potsdam 5:51 USD 0.99
4
Cello Concerto No. 2 In D Majo Kammerakademie Potsdam, Nicolas Altstaedt & Michael Sanderling 12:48 USD Album Only
5
Cello Concerto No. 2 In D Majo Kammerakademie Potsdam, Nicolas Altstaedt & Michael Sanderling 5:18 USD 0.99
6
Cello Concerto No. 2 In D Majo Nicolas Altstaedt, Michael Sanderling & Kammerakademie Potsdam 5:11 USD 0.99

Reviews

  • An interesting version of the C major concerto

    3
    By neurodoc70
    This recording makes an interesting addition to a collection of versions of Haydn's masterpiece C major concerto. It cannot, however, be recommended as a single, best version, which would still go, in my opinion, to Du Pre/Barenboim. I cannot imagine a more heart-rending version of the slow movement than Du Pre's. The stand-out movement in this recording is the third with its thrillingly fast tempo and virtuoso playing by orchestra and cellist. The slow movement is musically interesting but not emotionally involving. I suppose the balance between the volume of the cello and the orchestra is realistic for the concert hall, but I would have preferred the cello to be emphasized a bit more. The cadenzas can best be described as odd and unsatisfying. The orchestral playing is excellent throughout and is what originally attracted me to this recording since the samples were poorly chosen and barely included the cello.

Albums from this artist