In 2002, when I arrived at Ohio University, I was captivated by Wilco’s Yankee Hotel Foxtrot. This led me to discover Southeast Engine, a local indie roots rock band influenced by Wilco. Their music, which also showcased hints of Dylan and Bright Eyes, quickly became a favorite of mine during my time in Athens, OH. Their energetic performances and evolving sound, especially in albums like 2005’s Coming To Terms With Gravity and 2007’s A Wheel Within A Wheel, are memories I cherish. The blend of traditional folk, country, and their dynamic rock energy was truly special.
Though the band has been inactive for years, the frontman Adam Remnant continues to express his creativity, sometimes through photography. Today marks the release of Big Doors, his first album since 2018’s Sourwood. If you’re intrigued by what I’ve shared, give it a listen.
Big Doors explores themes of disillusionment and unmet expectations—be it political, spiritual, or otherwise—but honestly, it feels like a promise kept. Remnant’s songwriting showcases his experience; while his voice has always had power, it now carries a raw authenticity that feels deeply grounded. His character-driven narratives are straightforward yet thoughtfully constructed, emphasizing storytelling over complex lyricism.
The album’s music is also noteworthy; its beautiful elements are tastefully integrated rather than excessively flashy. Remnant draws inspiration from Yankee Hotel Foxtrot and Jim O’Rourke’s Eureka. Elements from these influences resonate in tracks like the instrumental piece “The Door Might Be Closed” and the title track, evoking the poignant vibes of Flaming Lips’ The Soft Bulletin. The lush soundscape—with ethereal keyboards and subtle lead guitar—allows the songs to breathe, ensuring that Remnant’s narrative takes center stage. Kudos to him and co-producer Jon Helm for their impressive work.
Check out Big Doors below, and you can purchase it on Bandcamp.
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