“My name is Nadine El Roubi. I’m a Sudanese, Egyptian, Iranian,” introduces Nadine El Roubi on the first track of her highly anticipated Nadine El Roubi‘s Freestyles Mixtapes sequel.
Her journey started with a one-minute Instagram video tackling beauty standards, a stepping stone that led her to a broader audience and the admiration of artists like SZA and Jarobi White. Returning after three years with Freestyles Pt. 1, El Roubi continues with insightful commentary, empowerment, and advocacy for #EyesOnSudan.
El Roubi’s music mirrors diverse experiences of an African and Arab woman, a believer, a youth facing societal challenges, and an artist battling self-doubt through impactful lyrics.
On the track “Too Fly,” El Roubi fearlessly raps about empowerment and challenges conservative norms, setting the stage for inevitable backlash in societies like SWANA.
Addressing critics through her track “Modest Heaux,” El Roubi refuses to conform, asserting her artistic expression amidst societal pressures.
“CALM DOWN,” delves into industry double standards, politics, and gender stereotypes, showcasing her unapologetic artistry and social commentary.
With “#EyesOnSudan,” El Roubi sheds light on Sudan’s plight, emphasizing the importance of independent content creation in the face of mainstream media’s neglect.
In tracks like “Please Don’t Call Here,”, she reveals vulnerability and raw emotion, creating a relatable connection with her audience.
Blending activism with artistry, El Roubi uses her music as a platform to amplify silenced narratives and challenge societal norms.
With “KING KONG,” as the mixtape’s conclusion, El Roubi showcases her lyrical prowess and self-assurance.
Nadine El Roubi’s music encapsulates a blend of confidence, vulnerability, and unapologetic authenticity, resonating with audiences on a profound level.
Comment