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Mayra Andrade’s ‘reEncanto’: A Captivating Blend of Tradition and Modernity

Mayra Andrade possesses a voice reminiscent of a captivating siren, enchanting all who listen. Her recent album, reEncanto, sees the talented Cape Verdean artist beautifully blend the exquisite with the understated, performing selections from her two-decade-long career at London’s Union Chapel. The venue’s atmosphere and audience enhance the artistry of this more than hour-long performance.

In an interview with TunesDeck, Andrade shared her thoughts with the grace of someone who has lived through significant experiences. Despite being only 39, her profound connection with music shapes her views. During her tour for the previous album, Manga, in 2022, she found herself pregnant and craved a more intimate musical environment.

The album captures the essence of her journey through motherhood and her musical legacy. Andrade is accompanied solely by Djodje Almeida, whose guitar echoes the beautiful waters of Cape Verde, a country that remains an integral part of her artistry.

The collaboration between Andrade and Almeida results in an ambitious and expressive project. reEncanto highlights the breadth of African music, showing that it encompasses much more than just the term Afrobeats. It illustrates the intricate connections between various musical styles, particularly woven through the guitar’s sounds, linking African melodies with those of Latin America and the broader Black community.

This interview has been lightly edited for length and clarity.

TunesDeck: What inspired you to create a live album that summarizes your musical journey so far?

Mayra Andrade: In 2022, while on tour with my previous album, Manga, I became pregnant, which sparked a desire for a more personal performance setting. Touring with a full band was wonderful, yet I needed a chance to connect deeply with my audience.

This led me to create a project focused solely on my own songs, spanning my entire career. It allowed me to rediscover my voice and realize that many of my older tracks still resonate with who I am today, despite my growth. It transformed into a vital part of my artistic journey.

Was there a specific intention behind your song selection?

I initially explored every song, whether recent or from years past. I wanted to feel them anew. I shared my original chords with my guitarist, Almeida, allowing him to dive into the compositions. Together, we shaped the songs to create an engaging performance for our audience, designing a flow of emotions throughout the show.

Are there any live albums that have influenced you?

Yes, Elis Regina, an iconic Brazilian singer, has a profound live album I admire. It was recorded at the Montreal Jazz Festival in 1979. Additionally, albums from artists like Otis Redding and Nina Simone resonate with me.

While I’m not typically a fan of live albums, I appreciate those where live versions differ significantly from studio recordings, as they offer a unique perspective. However, some live performances can lean too heavily on audience participation, which can detract from the singer’s artistry.

Portrait of Mayra Andrade seated against a red wall, wearing a vibrant blue and red patterned dress.

You recorded reEncanto at Union Chapel. What makes this venue special for your performance?

The anticipation for these shows was palpable, with sold-out dates generating excitement. A familiar audience enhances the atmosphere during a live recording. Union Chapel’s remarkable acoustics, being a church, were perfect for this project. Many albums have been recorded there, and I didn’t want to miss the chance. Initially uncertain about releasing it, I realized it brought something valuable to the audience’s experience, showcasing a raw artist connection that’s rare nowadays.

How long have you been collaborating with Almeida, and how would you describe your creative bond?

Our journey began working together on a contemporary dance piece by Portuguese choreographer Clara Andermatt. This project, Pantera, honored a friend who had passed away when I was 16. After our collaboration, I invited him to join me for guitar and voice shows. It’s been a beautiful experience witnessing his growth as a musician; his contributions are invaluable.

What wisdom have you gained during your music career?

While I’m hesitant to impart lessons, I encourage aspiring musicians to embrace change, both in themselves and their surroundings. It’s crucial to listen to your true self and safeguard your essence. This authenticity will resonate with the audience for years to come. Although not everyone will appreciate your work, those who do will feel its genuine nature. Musicians hold the responsibility to connect with people and inspire them to create a better world.

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